Reed, Whitehouse Announce Nearly $1,000,000 in Federal Funding for Rhode Island Arts Organizations
WASHINGTON, DC – In an effort to support the arts and promote art education and community art programs throughout Rhode Island, U.S. Senators Jack Reed (D-RI) and Sheldon Whitehouse (D-RI) today announced that ten arts organizations will receive $946,000 in federal grants through the National Endowment for the Arts (NEA).
“Rhode Island’s art community has enriched our state’s cultural heritage and had an immensely positive impact on our communities,” said Reed, a member of the Senate Cultural Caucus who has supported yearly increases in the National Endowment for the Arts (NEA) budget as well as other initiatives to extend the benefits of participation in the arts to more Americans. “Not only will this funding help maintain Rhode Island’s longstanding tradition of artistic excellence, but it will support our local economy by continuing to make Rhode Island a destination for art lovers and visitors from across the state and the country.”
“Rhode Island’s artistic community is rich and diverse, and NEA funding ensures that these organizations will be able to continue their efforts to bring the arts into classrooms and communities across our state,” said Whitehouse, a member of the National Council on the Arts, the advisory body to the NEA. “These grants continue the legacy of Senator Claiborne Pell, who helped found the NEA, and I’m proud to join Senator Reed in congratulating Rhode Island’s world-class arts community on this vital federal support.”
The National Endowment for the Arts is a public agency dedicated to supporting excellence in the arts, both new and established; bringing the arts to all Americans; and providing leadership in arts education. Established by Congress in 1965 as an independent agency of the federal government, the Endowment is the nation's largest annual funder of the arts.
A list of the projects receiving funding is below:
Rhode Island State Council on the Arts: $741,000
The Rhode Island State Council on the Arts will receive $741,000 to support its mission of generating interest and participation in the arts. The Arts Council serves as the liaison to the arts community throughout the state.
Alliance of Artists Communities: $40,000
The Alliance of Artists Communities received $40,000 to support Artists’ Communities: Impacting Society in the Past, Present, and Future. This initiative includes two events aimed at bringing together Alliance members to share information and discuss how best to develop successful artist residencies.
Rhode Island School of Design (RISD), Project Open Door: $30,000
RISD was awarded $30,000 to support Project Open Door, a free afterschool and summer program that helps prepare low-income students for college by providing them with studio education and guidance with college applications. The program expects as many as 380 students and 40 teachers to participate. This funding will also offer 40 low-income students the opportunity to attend RISD’s six-week pre-college summer program.
Rhode Island School of Design (RISD), Museum of Art: $25,000
The NEA will provide $25,000 to help fund the publication of a handbook documenting highlights from the permanent collection of the RISD Museum of Art. More than 100,000 people visit the Museum annually, and its permanent collection is home to more than 84,000 objects from every continent. The handbook will provide details on 400 pieces in the Museum’s collection, arranged into six sections: Asia, Africa and Egypt, Ancient Greece and Rome, the Americas, Europe, and post-1900 art.
Project New Urban Arts: $25,000
Project New Urban Arts, an art studio in Providence that provides local high school students with resources and mentoring to further their artistic development, will receive $25,000 to support an initiative that helps young visual and literary artists design and run afterschool and summer mentoring plans.
Rhode Island Alliance for Arts Education: $20,000
This grant will provide $20,000 to support the Rhode Island Arts Passport, a series of music and arts events that unite students with masters of folk and traditional arts from ethnic communities throughout Rhode Island. The teachers and master artists will also provide activities in the classroom to help students meet the arts graduation requirement.
FirstWorks: $20,000
FirstWorks, an organization dedicated to bringing new performances and works of art to Providence, will receive $20,000 to support the FirstWorksProv Festival 2008. The festival consists of a series of performance premieres, as well as community forums, workshops, and lectures. The grant will also support discounted admissions to the performances. Local community partners of this program include Brown University, RISD, Arts Learning Network, and Providence Black Repertory Company.
FirstWorks: $15,000
This grant will provide $15,000 through NEA’s American Masterpieces Series, an initiative that funds national art projects, to support works of composer John Adams and the Thunderbird American Indian Dance Ensemble performed during the 2008-2009 season.
Island Moving Company: $10,000
The Island Moving Company, the only professional performing troupe based in Newport, will receive $10,000 for its Open for Dancing 2008 festival, which will take place from September 17-21, 2008. The event will feature dance and art specific to Newport landscapes and historic sites. The festival will also feature film screenings and panel discussions.
Providence Singers, Inc.: $10,000
This grant will provide $10,000 to support the performance and recording of Pulitzer Prize-winner Dominick Argento’s Jonah and the Whale, a 50-minute cantata. The three performances are expected to draw 3,600 people, and the recordings will be included in the Providence Singers’ series of “American Treasures” recordings set for release later this year.
Community MusicWorks: $10,000
Community MusicWorks will receive $10,000 for a program that provides underprivileged youth with free music education
Two Portuguese-American Plays Published by the University of Massachusetts Dartmouth
Two Portuguese-American Plays, comprised of Through a Portagee Gate, adapted by Patricia A. Thomas from the Charles Reis Felix memoir of the same name, and Amarelo, by Paulo A. Pereira, dramatize immigrant experience in the mill-town of New Bedford, Massachusetts. Each play begins or ends there, along with visits to Escamil, California, or the tiny village of Covoada, on the island of São Miguel, the Azores. Employing contrasting dramatic techniques, both works portray unforgettable protagonists, at once charming and idiosyncratic. In Through a Portagee Gate the Radio Ensemble at the WNBH studio in downtown New Bedford broadcasts commercials and news stories, taking us on a journey through the twentieth century; whereas in Amarelo, “Man” poses as the explorer Gonçalo Velho, and others, as he propels the story forward through time. These plays are alive with humor, wit and sincerity drawn from the human experience. Both have been performed by Culture*Park Theatre of New Bedford, Massachusetts.
Patricia A. Thomas is a theatre director, teacher, writer and producer who began her career in theatre in the 1980’s as a company member at Trinity Repertory Company in Providence, Rhode Island. Ms. Thomas is co-founder and Artistic Director of Culture*Park Theatre and Performing Arts Collaborative in New Bedford, MA.
Paulo A. Pereira earned a degree in Theater Arts and Computer Science from the Massachusetts Institute of Technology. While at MIT, he was involved in numerous productions, on- and off-campus, as an actor, director, producer, and playwright. Amarelo, his first full-length play, opened in New York City in 1998.
It was another beautiful Cape Cod day, one to take a trip and travel is what my mom and I did. Mary Vieira Rose has many friends here in Wareham so it was difficult who would go with us to the Cape Verdean Museum Exhibit located in East Providence, Rhode Island. Other attendees have told us how interesting and well organized this Exhibit was and we felt it was time to go and investigate for ourselves.
Doris Baptiste and Mary Paulette both from the Onset area were thrilled to accompany us and represent the Oak Grove Cape Verdean Cultural Center. Mom and I worked diligently in our kitchen earlier preparing cornmeal goofong to be our appreciation gesture to Denise Olivera, their Exhibit coordinator. Finally we were ready and we all piled into my hybrid Prius for the road trip to Rhode Island.
The Cape Verdean Museum Exhibit facility was very easy to find. The address is 1003 Waterman Avenue, East Providence, RI. They are open only on Tuesday, Thursday and Saturday from 12 noon to 4 pm. They have scheduled tours and a room to watch video presentations. The Exhibit is composed of four well planned rooms with the anticipation towards expansion in the near future.
After signing the entrance log, Yvonne, our tour guide, explained the development of their "logo". The chosen logo exemplifies three famous Cape Verdean working areas: fishing, cranberries and long shore man service by our ancestors. A quick glance upward in the entrance room will give you a vision to remember! You will feast your eyes on two very special pictures created in a 3-D format (the people in the picture actually come right out at you). Proudly these creations were purchased on the Islands and brought to the U. S. A. and heartfelt donated to the Exhibit. I am truly sure you will have never seen artwork anything like these two breathtaking designs. We all stared and stared admirably.
In the second room, a local benefactor had a few days ago delivered as a donation also over two hundred books: every one referring to the Cape Verde Islands. They were still in boxes awaiting perusal and tabulation by the Exhibit Staff. Some of these books date back to the eighteen hundreds and were in superior condition. These books "will not be checked out", "They can only be utilized while the visitor is in the Exhibit building because they are so valuable" Denise told us.
Now we walked to the third room with huge Cape Verdean posters on the wall acquired from the Smithsonian Institute in the nineties. Gorgeous historical information clearly printed in a colorful arena. We busily examined artifacts in glass cases such as: handmade Cape Verdean toys, pipes, pictures, articles made from clay, references to "pelons", many items to jog your Cape Verdean roots. Belmira Nunes, God bless her soul, so well known to us was well represented in this room.
Oh, my homeland — The Cape Verde Islands — the more I learn about you, the more I yearn to visit you. Located seven hundred miles northeast of Brazil and three hundred fifty miles west of Senegal is beginning not to
seem unreachable to me. Walking thru these Exhibit rooms, I feel the Cape Verdean spirit, the pride, the hard work, and strength of our forefathers. Yvonne speaks gently of the historical significance of the displays which lovingly urges us to visualize how it was back then. I began to realize that the most precious gift is when the spirit of the soul fmds a vast and fertile ground to plant its seeds of hope and peace. The Cape Verdeans of today want to instill that same integrity, stamina and charismatic virtues to this generation of the future.